darktable/dtdocs — Galician @ Weblate: base primaries : Choose the set of primaries to use …

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	Please take note of the following guidelines while using this module within your workflow:
	only use one display transform : Never use sigmoid together with another display transform module (i.e. [_filmic rgb_](./filmic-rgb.md) or [_base curve_](./base-curve.md)).
	adjust for the mid-tones first : The sigmoid curve pivots around middle gray. Before using sigmoid, you should first use the [_exposure_](./exposure.md) module to adjust the mid-tones to your liking.
	less is more : You should try to accomplish the majority of your processing using modules in the scene-referred section of the pixelpipe and not rely on the display transform module (_sigmoid_, _filmic rgb_, _base curve_) to do all the work.	menos é máis : Debe intentar realizar a maior parte do seu procesamento usando módulos na sección relativa a escena do pixelpipe e non confiar nos módulos de transformación referidos á pantalla (_sigmoide_, _rgb fílmico_, _curva base_) para facer todo o traballo.
	preserve hue to taste : This module provides a number of methods to preserve hues. You are advised to use the "per channel" mode and tune the hue preservation to your liking on a per-image basis. Sunsets and fire are two examples where users commonly reduce the hue preservation to achieve a "hotter" look.	preservar a tonalidade ao seu gusto : este módulo fornece varios métodos para preservar matices. Recomendamos que use o modo "por canal" e axuste o preservador de matiz de acordo coas súas preferencias para cada imaxe. O solpor e o fogo son dous exemplos nos que xeralmente se reduce a preservación do matiz para obter unha aparencia "máis cálida".
	keep skew at bay : For images like portraits, it is best to refrain from using skew values above zero. This way you will avoid harsh transitions in the skin tones. This is particularly important when hue preservation is not enabled, as the skew also affects the hue path of the skin tones.	manteña a distorsión baixo control : Para imaxes como retratos, é mellor evitar usar valores de distorsión por riba de cero. Dese xeito, evitará transicións bruscas nos tons da pel. Isto é particularmente importante cando a preservación da tonalidade non está habilitada, pois a distorsión tamén afecta ao control de matiz dos tons de pel.
	contrast : Adjust the aggressiveness of the compression while leaving middle-gray unchanged. Higher values require lower exposure to reach display white, and shadows become darker. Lower contrast is able to display a larger dynamic range.	contraste : axuste a agresividade da compresión deixando o gris medio inalterado. Os valores máis altos requiren menor exposición para alcanzar o branco da pantalla e as sombras se escurecen. Un menor contraste permite exhibir un maior rango dinámico.
	skew : Lean the compression towards shadows or highlights. Skew can be used to transfer some contrast from shadows to highlights or vice versa without changing the amount of contrast at middle gray. Positive skew flattens shadows and compresses highlights. Negative skew creates darker shadows and duller highlights.	nesgar Dirixe a compresión para sombras ou realces. O nesgo pode usarse para trasladar algún contraste das sombras para os brillos ou viceversa, sen alterar o contraste no gris medio. O nesgo positivo aplana as sombras e comprime os brillos. O nesgo negativo crea sombras máis escuras e brillos máis opacos.
	color processing : The mode used to map pixel values from scene to display space. : - _per channel_ mode applies the sigmoid curve to each rgb channel separately, affecting luminance, chroma, and hue. Hue can be optionally preserved using the _preserve hue_ option (below). This mode is in line with the behavior of the color layers in analog film, and handles smooth roll-off to bright areas very well. : - _rgb ratio_ is similar to _preserve color_ in [filmic rgb](./filmic-rgb.md). It maps the rgb triplet uniformly using the sigmoid curve, which preserves the spectral color of the pixel. Bright colorful pixels are desaturated along spectral lines as they would otherwise end up outside the display gamut.	procesamento da cor : O modo usado para mapear os valores de pixel da escena para a pantalla. : - Modo _por canle_: aplica a curva sigmoide a cada canle rgb separadamente, afectando a luminancia, o croma e o matiz. O matiz pode preservarse opcionalmente usando a opción _preservar matiz_ (abaixo). Ese modo está en liña co comportamento das capas de cores en filmes analóxicos e manexa moi ben o suavizado das áreas claras. : - _taxa de rgb_: é semellante a _preservar color_ en [filmic rgb](./filmic-rgb.md). Mapea o triplete rgb uniformemente usando a curva sigmoidea, que preserva a cor espectral do pixel. Os pixels de cores brillantes son desaturados ao longo das liñas espectrais, pois, en caso contrario, acabarían fóra da gama de visualización.
	preserve hue _(per channel mode only)_ : Choose how much to preserve hue -- 100% preserves the spectral hue of the image (identical to using the "rgb ratio" color processing mode); 0% uses the per-channel mode with heavy hue skewing (see below). An acceptable approximation of preserved perceptual hue is usually somewhere between the two extremes. : All colors that lie between the primary colors (red, green, and blue) converge towards the closest secondary colors (yellow, magenta, and cyan). The _per channel hue skew_ effect creates yellow sunsets and fires, magenta-looking blue lights, and cyan skies. The skew is stronger for brighter and more saturated pixels.	preservar a tonalidade _(soamente no modo por canle)_ : Escolla canto preservar o matiz - 100% preserva o matiz espectral da imaxe (idéntico ao uso do modo de procesamento de cor "proporción rgb"); 0% usa o modo por canle con forte distorsión de matiz (vexa abaixo). Unha aproximación aceptábel do matiz porcentual preservado xeralmente está nalgún lugar entre os dous extremos. : Todas as cores que se encontran entre as cores primarias (vermello, verde e azul) converxen cara ás cores secundarias máis próximas (amarelo, maxenta e ciano). O efecto de distorsión de matiz por canle crea solpores e fogos amarelos, luces azuis con aparencia maxenta e ciano. A distorsión é máis forte para píxeles máis brillantes e máis saturados.
	target black : Lower bound that the sigmoid curve converges to as the scene value approaches zero -- this should normally be left unchanged. You _can_ use this to give a faded analog look, but should instead prefer to use the "global offset" slider in [_color balance rgb_](./color-balance-rgb.md) to achieve a similar effect.	albo negro : Límite inferior para o cal converxe a curva sigmoide cando o valor da escena se aproxima a cero -- normalmente, non debería cambiarse. _Pode_ usalo para dar unha aparencia analóxica esvaecida, mais es preferible usar a barra de desprazamento "compensación global" en [_balance color rgb_](./color-balancee-rgb.md) para obter un efecto semellante.
	target white : Upper bound that the sigmoid curve converges to as the scene value approaches infinity -- this should normally be left unchanged. You can use this to clip white at a defined scene intensity.	albo branco : Límite superior para o cal a curva sigmoide converxe a medida que o valor da escena se aproxima a infinito -- normalmente debe deixarse inalterado. Pode usalo para recortar o branco nunha intensidade de escena definida.
	primaries	primarias
	Expand this section to set custom primaries. You are advised to use the "smooth" preset as a starting point and then adjust using the following controls:	Expanda esta sección para definir as primarias personalizadas. É aconsellable que use a predefinición "suave" para empezar e despois axustar os seguintes controles:
	Note: These settings apply only to the _per channel_ processing mode.	Nota: Estes parámetros solo se aplican ao modo de procesar _por canle_
	base primaries : Choose the set of primaries to use as the base for adjustments. This is a bit like locally overriding the working profile, and is necessary to allow presets to be created that don't change even if the user amends the working profile used in the pixel pipeline.	bases primarias : Escolla o conxunto de primarias a utilizar como base para axustes. Iso é un pouco como substituír localmente o perfil de traballo, e é necesario para permitir a creación de pre-axustes que non muden, incluso se se altera o perfil de traballo usado na canle de pixels.
	red/green/blue attenuation : Attenuate (decrease) the [purity](../../special-topics/color-management/color-dimensions.md#definitions) of the red/green or blue primaries before the signal is processed through _sigmoid_'s per-channel curves. An important consequence is that now even the brightest and most pure inputs get smoothly degraded to achromatic at the high end. This avoids posterization and flat-looking patches, which are often seen with, for example, blue LED lights.
	red/green/blue rotation : Rotate the primaries where the per-channel curves are applied. This affects the hue paths when approaching white in the high end. These controls should not normally need large adjustments from the starting values given in the "smooth" preset.
	recover purity : Recover some of the original purity. A value of 100 causes all of the attenuations to be restored after the per-channel process is done. This lands the middle range values near their original purities. A value of 0 doesn’t restore the purity at all, so the more you apply attenuation, the less purity there is in the final picture. The rotations are always restored regardless of the value of this slider. When this slider is at 0, the output of the module is guaranteed to remain within the gamut footprint of the chosen base primaries.
	Bear in mind that unlike the [_rgb primaries_](./rgb-primaries.md) module, this is not a tool for creative color grading but rather a set of controls to provide a reasonable starting point for further edits. The effect of these adjustments is not the same as the rgb primaries module even though the interface looks similar.
	hot pixels
	Automatically detect and eliminate hot pixels.
	Hot pixels are pixels which have failed to record a light level correctly. Detected hot pixels are replaced by an average of their neighbors.
	threshold : How strong a pixel's value needs to deviate from that of its neighbors to be regarded as a hot pixel.
	strength : The blending strength of the hot pixels with their surrounding.
	detect by 3 neighbours : Extend the detection of hot pixels -- regard a pixel as hot if a minimum of only three (instead of four) neighbor pixels deviate by more than the threshold level.
	mark fixed pixels : Visually mark the corrected pixels on the image and display a count of hot pixels that have been fixed.
	zone system (deprecated)
	Please note that this module is [deprecated](../../darkroom/processing-modules/deprecated.md) from darktable 3.4 and should no longer be used for new edits. Please use the [_tone equalizer_](./tone-equalizer.md) or multiple instances of the [_exposure_](./exposure.md) module with [parametric masks](../../darkroom/masking-and-blending/masks/parametric.md) to narrow down on a zone.
	Adjust the lightness of an image using Ansel Adams' [zone system](https://en.wikipedia.org/wiki/Zone_System).
	The lightness of the image (the L channel in Lab color space) is divided into a number of zones ranging from pure black to pure white. These zones are displayed in a zonebar beneath a preview image. The number of zones can be changed by mouse-scrolling on that bar (default 10 zones).

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