darktable/dtdocs — Italian @ Weblate: negadoctor

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	English	Italian	Actions
	mark fixed pixels : Visually mark the corrected pixels on the image and display a count of hot pixels that have been fixed.	marca i pixel corretti : contrassegna visualmente sull'immagine i pixel corretti e visualizza il numero dei pixel bruciati che sono stati riparati.
	zone system (deprecated)
	Please note that this module is [deprecated](../../darkroom/processing-modules/deprecated.md) from darktable 3.4 and should no longer be used for new edits. Please use the [_tone equalizer_](./tone-equalizer.md) or multiple instances of the [_exposure_](./exposure.md) module with [parametric masks](../../darkroom/masking-and-blending/masks/parametric.md) to narrow down on a zone.
	Adjust the lightness of an image using Ansel Adams' [zone system](https://en.wikipedia.org/wiki/Zone_System).
	The lightness of the image (the L channel in Lab color space) is divided into a number of zones ranging from pure black to pure white. These zones are displayed in a zonebar beneath a preview image. The number of zones can be changed by mouse-scrolling on that bar (default 10 zones).
	![zone-system](./zone-system/zone-system.png#w33)	![zone-system](./zone-system/zone-system.png#w33)
	The zonebar is split horizontally with the lower part showing the zones of the module's input and the upper part the zones of the module's output. In its default state both parts are fully aligned. While the output zones are static you can left click and drag a control point in the input zones to modify the mapping between input and output.
	Shifting a control point proportionally expands the zones on one side and compresses the zones on the other side of that point. All pre-existing control points stay in place, effectively preventing changes to the zones beyond the next control point. Use right click to remove a control point.
	The preview image above the zonebar shows how the image's zones are broken down. When hovering above a zone, that zone – either from input or output – is highlighted in yellow on the preview image.
	colorize	colora
	Add a solid layer of color to the image.	Aggiunge un livello di tinta unita all'immagine.
	hue : The hue of the color layer.	tonalità : La tonalità del livello colore.
	saturation : The saturation of shadow tones.	saturazione : La saturazione delle ombre.
	lightness : The lightness of the color layer.	chiarezza : La luminosità del livello colore.
	source mix : Controls how the lightness of the input image is mixed with the color layer. Setting this to zero will result in a uniformly colored plane.	sorgente miscelazione : Controlla quanto la luminosità dell'immagine di input sia mischiata con il livello colore. Impostandolo a zero si avrà un piano colorato uniformemente.
	negadoctor	negadoctor
	Process scanned film negatives.
	You can obtain an image of a negative using a film scanner, or by photographing it against a white light (e.g. a light table or computer monitor) or off-camera flash.
	preparation	preparazione
	If the image of the negative was obtained using a digital camera, then in order to obtain accurate colors in the final image, you will need to take the following points into consideration:
	When taking the photograph, adjust the exposure to fully utilise the entire dynamic range of your camera sensor -- i.e. "expose-to-the-right", so that the histogram in your camera touches the right hand side without clipping the image.
	Ensure the white balance is correctly set up to compensate for the light source used to illuminate the negative. You can take a profiling picture of the light source with no film negative in front of it, and then use the "from image area" feature in the [_white balance_](./white-balance.md) module to obtain a reference white-balance setting. This reference white balance setting can then be made into a style or simply pasted onto the images taken from your film negatives.
	Apply the standard or enhanced camera matrix in the [_input color profile_](./input-color-profile.md) module.
	When scanning or photographing your film negative, make sure you include some unexposed part of the film within the captured image. This is required to set the _Dmin_ parameter (see below). If this is not possible (e.g. your film holder completely obscures the unexposed parts of the film), you can take a separate image of an unexposed part of the film, measure the _Dmin_ parameter from that image, and then paste that setting to the rest of the images from that film.
	When developing the scanned/photographed film negatives, it is recommended that you disable any tone mapping modules such as [_filmic rgb_](filmic-rgb.md) and [_base curve_](base-curve.md).
	The _working profile_ parameter in darktable's [_input color profile_](input-color-profile.md) module should be set to either _linear Rec2020 RGB_, or to an ICC profile representing the actual color space of your film emulsion. Some examples of such ICC profiles may be found in the following forum posts:
	[https://discuss.pixls.us/t/any-interest-in-a-film-negative-feature-in-rt/12569/177](https://discuss.pixls.us/t/any-interest-in-a-film-negative-feature-in-rt/12569/177)	[https://discuss.pixls.us/t/any-interest-in-a-film-negative-feature-in-rt/12569/177](https://discuss.pixls.us/t/any-interest-in-a-film-negative-feature-in-rt/12569/177)
	[https://discuss.pixls.us/t/input-color-profile-to-use-for-negatives/20271/13](https://discuss.pixls.us/t/input-color-profile-to-use-for-negatives/20271/13)	[https://discuss.pixls.us/t/input-color-profile-to-use-for-negatives/20271/13](https://discuss.pixls.us/t/input-color-profile-to-use-for-negatives/20271/13)
	Note: if you want to use the [_tone equalizer_](tone-equalizer.md) with _negadoctor_, you'll need to move the _tone equalizer_ module after _negadoctor_ in the [pixelpipe](../../darkroom/pixelpipe/the-pixelpipe-and-module-order.md), since the _tone equalizer_ is not designed to work with negatives.
	It is strongly recommended that you set the parameters following the order in which they are presented in the GUI. Start by setting the _film stock_, then work through each of the tabs ([_film properties_](#film-properties), [_corrections_](#corrections), [_print properties_](#print-properties)) in order, working from top to bottom in each tab.
	When using color pickers, be careful to avoid including dust and scratches, which can skew the data taken from the sampled region.

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